This rare floor lamp dates from around 1920 and originally functioned as an oil lamp, later carefully electrified for contemporary use.
The lamp features a white glass shade, supported by a robust copper frame, richly decorated with blue and white enamel detailing. The craftsmanship and ornamental language reflect the ideals of the New Art / Secessionist movement, where structure, material and decoration are brought together in harmonious balance.
The design evokes strong affinities with the work of Jan Eisenloeffel, and — across the border — with the refined geometric spirit found in the work of Josef Hoffmann and colleagues for the Secession.
An expressive yet elegant object that bridges applied art and sculpture, embodying the transition from late Art Nouveau towards early modern design.
